Art has always had as its schema to make us see. At different times, in different ways, it has called on us to rethink every aspect of perception – what we see, how we see it, how it is seen and how it is rendered; as well as to reconsider the very materials with which art can be made, of paint and how it’s applied; of the properties of and our relation to color, metal, marble, wood; of objects in two dimensions and three; or art made flat or in 360 degrees; whether made of found objects and de…
